Selasa, 14 Mei 2013

PDF Ebook Star Wars Saga 2018 Day-at-a-Time Box Calendar, by Trends International

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Star Wars Saga 2018 Day-at-a-Time Box Calendar, by Trends International

Product details

Calendar: 365 pages

Publisher: Trends International Calendars; Box Pag edition (August 1, 2017)

Language: English

ISBN-10: 1438851383

ISBN-13: 978-1438851389

Product Dimensions:

5.5 x 1.8 x 6.2 inches

Shipping Weight: 15.2 ounces

Average Customer Review:

4.2 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#740,486 in Books (See Top 100 in Books)

This was a gift. The recipient was happy with the product. The only thing that was disappointing was that it was out of stock. I was supposed to get notified when it was in stock but never did. Kept checking and finally saw it was but had to pay more!

Much better pictures and themes than in the 2017 calendar. Seems to be back to the standard they set years ago.

no problem here thanks.

gift for my son and he loved it

Every day there is a new great picture!

I WANT MY MONEY BACK IT CAME RIPPED OPEN AND OPENED!!!!I want my money back now!!I am not happy!

Great for Star Wars Fans, but nowhere to write notes or reminders.

Best Star Wars calender yet. Has many interesting facts and artwork.

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Jumat, 03 Mei 2013

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File Size: 1067 KB

Print Length: 224 pages

Publisher: RBA (September 10, 2015)

Publication Date: September 10, 2015

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Language: Spanish

ASIN: B014RGC1D6

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Sabtu, 27 April 2013

Download PDF , by Charles Higham

Download PDF , by Charles Higham

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Product details

File Size: 2955 KB

Print Length: 242 pages

Publisher: University of Wisconsin Press; 1 edition (October 27, 2004)

Publication Date: October 27, 2004

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0040NQ8MM

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Contrary to the “Publisher's Weekly” review leading this section, I found that the book's author thoroughly and objectively laid-out the facts as they are known to properly conclude that Mary Miles Minter was, indeed, the murderess of William Desmond Taylor. The author left no stone unturned, inasmuch as what was recorded and what material remained to be investigated could be found. If only Mary Miles Minter's belongings and papers from the Bekins storage unit had not been burned upon her death, but searched instead, perhaps even more compelling evidence might have been added. As it is, for this reader, this book comes to the right and to the only conclusion possible given the well-articulated and vast array of lies, deception, misinformation, and spurious accounts given by so many characters who were either accused as suspects, or were wanted to be or found themselves in the spotlight as having a say in the matter, even those who were supposed to be enforcers of law and justice.

The flaws in this book are already well documented so I won't go into them except to say that this is not an objective investigation of the crime. Charles Higham appears to have developed a theory of the murder and worked backwards from that. Anyone whose statements or eye witness accounts do not fit his theory he simply brands a liar (with no supporting evidence by the way.) For example, a minor detail that has nothing to do with the crime: Taylor kept a .32 Savage Automatic in his dresser drawer. Higham fixates on this and claims that it was a Luger in the dresser drawer. Then he refers to the Luger as a revolver several times in the book. At the inquest one of the detectives refers to the Savage pistol's presence in the drawer, Higham accuses him of lying under oath. (Taylor owned a Luger Carbine, the long barreled version with a detachable shoulder stock; it was found in the closet.)Mr. Higham clearly has some kind of personal animosity toward Mary Miles Minter and that animosity fairly reeks from this book, starting with his grotesque physical description of the elderly woman in the very beginning. Vincent Bugliosi does not subject Charles Manson to the kind of vicious personal attack in Helter Skelter that Charles Higham subjects Mary Miles Minter to here.In short, Murder in Hollywood is poorly written, superficially researched, and doesn't appear to have been edited at all. It is the work of an author who clearly has an agenda and doesn't let minor details like the established facts get in the way.

I read this, it took some time to wade through the crap, and the biased rubbish that seems to come from an angry hollow place in the author's mind. He was so focused on trashing everyone, even the poor victim, William Desomnd Taylor. In reading this a growing feeling of distrust for the writer grew and grew, so that any conclusion Higham proposed became impossible to believe. In light of the slanted rubbish Higham was pushing in this book, I doubt I would ever trust any of his works, and he has published many a biography. AVOID this book if you want to know any FACTS. Higham misses the mark Big Time due to his own agenda getting in the way.

Having anticipated Charles Higham's treatment of the unsolved murder of William Desmond Taylor to be the book-to-end-all-books on the subject, my disappointment was palpable as I trudged through the final pages of this incoherent, typo-ridden volume. Presuming that Higham's facility with biographies would transfer well to the true-crime genre, I expected his effort here to be as polished and well-researched as his previous work; instead this book is a convoluted mess. Besides going into lengthy, irrelevant detail about the lives of people having absolutely nothing to do with the murder (i.e., Neva Gerber, Julia Crawford Ivers, etc.), Higham rambles endlessly, repeating himself often while at the same time curiously managing to contradict himself. His irritating habit of drawing conclusions without providing any real evidence to support his theories throws the entire presentation off kilter. For example, his insistence that an unidentified suicide victim found in Connecticut was Taylor's former employee, Edward Sands, simply because Higham feels that Sands should have killed himself, is simply preposterous. To add insult to injury, this book seems not to have been proof-read - there are a plethora of glaring typos that even a second-grade child would have caught. The fact that Higham had access to files previously unavailable only frustrates the reader further, as his continuous failure to present this new evidence in anything approaching a cohesive fashion denies the reader a clear understanding of such material. Perhaps I expected too much simply due to Higham's reputation - but I was thoroughly disappointed with this book. Its one saving grace (and perhaps what makes it a worthwhile volume for the silent film buff) is the sprinkling of rare photos including portraits of Mabel Normand, Mary Miles Minter and a strange photo of the usuallly dapper Taylor in a frilly nightgown(!). In my opinion, anyone interested in the William Desmond Taylor murder case would do better with the two previous books written on the subject: A Deed of Death by Robert Giroux and A Cast of Killers by Sidney D. Kirkpatrick. Both vastly surpass Higham's scattered tale in clarity, form and content, and both have a style and cohesiveness that Higham's sorely lacks.

I love trying to figure out what happened with William Desmond Taylor. I've read "Cast of Killers," "Tinseltown," and checked out Taylorology. This book is an excellent presentation from someone who actually interviewed Minter and others from that time and place.Even if you know nothing of the murder, it is a great read.

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Kamis, 18 April 2013

Download Ebook Mold Me Make Me Bible Cover

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Product details

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Publisher: African American Expressions (January 1, 2011)

Language: English

ASIN: B004QIU7J6

Product Dimensions:

10.3 x 7.6 x 1.7 inches

Shipping Weight: 12.6 ounces

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#5,110,613 in Books (See Top 100 in Books)

I love all of the inside pockets! I only gave it four stars because I am sure that cover will wear quickly due to the material it is made of...but for now, it will definitely do. In fact, I will probably order another one when the cover wears away.

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Minggu, 14 April 2013

PDF Ebook The Oxford Handbook of Comparative Foreign Relations Law (Oxford Handbooks)

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About the Author

Curtis A. Bradley is the William Van Alstyne Professor of Law at Duke Law School, where he is a co-director of the Law School's Center for International and Comparative Law.

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Product details

Series: Oxford Handbooks

Hardcover: 898 pages

Publisher: Oxford University Press (June 12, 2019)

Language: English

ISBN-10: 0190653337

ISBN-13: 978-0190653330

Shipping Weight: 1.7 pounds (View shipping rates and policies)

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Amazon Best Sellers Rank:

#5,305,551 in Books (See Top 100 in Books)

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Sabtu, 13 April 2013

PDF Ebook Affective Materialities: Reorienting the Body in Modernist Literature

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Affective Materialities: Reorienting the Body in Modernist Literature

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“A dynamic reexamination of what modernist representations of the self can teach us about the way culture has defined which bodies ‘matter’ and how modern artists resist those boundaries by depicting the body as a creative site of trans-corporeality.”―Kelly Sultzbach, author of Ecocriticism in the Modernist Imagination: Forster, Woolf, and Auden“Putting the insights of ecology and affect studies into conversation and covering a wide range of subjects from Prufrock to puppies, Affective Materialities provides an impressive toolkit for anyone interested in the myriad ways that the modernist body matters.”―Brian Glavey, author of The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis

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About the Author

Kara Watts is instructor of English at the University of Rhode Island.

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Product details

Hardcover: 274 pages

Publisher: University Press of Florida (April 2, 2019)

Language: English

ISBN-10: 0813056284

ISBN-13: 978-0813056289

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

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Amazon Best Sellers Rank:

#104,620 in Books (See Top 100 in Books)

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Affective Materialities: Reorienting the Body in Modernist Literature PDF

Sabtu, 23 Maret 2013

Ebook The Tragedy of Great Power Politics

Ebook The Tragedy of Great Power Politics

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The Tragedy of Great Power Politics

The Tragedy of Great Power Politics


The Tragedy of Great Power Politics


Ebook The Tragedy of Great Power Politics

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The Tragedy of Great Power Politics

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Audible Audiobook

Listening Length: 16 hours and 14 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: July 11, 2013

Language: English, English

ASIN: B00D27AIAK

Amazon Best Sellers Rank:

If you're interested in this, you are probably a political science or international relations student, which is a shame because very few general readers would pick this up, and it's those who need it the most, this really deserves to be a best-seller. I majored in biochemistry and am an indie game developer, never took a single class in political science, but on a friend's recommendation who was majoring in that I read this book, and I've re-read it several times over the years, and it's become one of my favorite books (certainly in my top 10 of nonfiction).Basically, this book presents an overarching theory of why wars exist, one that is precise enough to allow even uninformed readers to make predictable, and historically accurate, and precise predictions about when a country will go to war (and why). Most people believe wars to happen for one of several reasons -- "human nature" (because humans just like fighting and are inherently violent or stupid or something), or perhaps the war over religion and ideology, or perhaps over resources. I'd guess that almost everyone believes war happens for one of those reasons.This book dispels that notion very cleanly and completely. After you read it, you'll realize that nations go to war simply because they are afraid. They know that if they lose a war against a greater power, their nation is done for -- it will become occupied, or a puppet state, of a greater power, and lose whatever power they had. Nations do not want that to happen, they are terrified of being dominated by greater nations. And this is a systematic thing, no individual might consciously decide on this, but this is how all nations do seem to work: they are afraid of being conquered, so they go to war to make sure they are the one who conquer, not the one being conquered. This central notion that fear of being conquered by another nation, and not anything else, drives almost all war is the main thesis of the book, and it's argued for very convincingly, with a lot of historical examples.So, the first way a country can be certain it's not going to be conquered by its neighbors is to become the strongest power in its major landmass -- the regional hegemon. Most nations in a position to do so will try to gain regional power -- that is what China is doing in asia, that's what the US did the Americas, and that's what various european countries (e.g. England, France, the Dutch, the Germans, the Russians) have attempted to do for europe, and so on.By this thesis, it may seem counter-intuitive, but according to this idea, the reason Germany went to war was not because they were nationalistic or inherently violent, or because of the ideological differences between fascism, capitalism, and communism, or because wanted to purify Europe of undesirable races, or even that they were angry over the conditions imposed on them after WW1 (though that's part of it), but simply because Germany feared being conquered and wanted to become the most powerful nation in Europe to make sure they would survive.This is a *very* different understanding of war than most people have, I want to emphasize that again. And it sounds strange at first, but this book will probably convince you of it (as evidence, Germany in WW1 had a very different ideology, but the conditions were somewhat similar, and they still went to war, for the same reason they did go to war in WW2. Sometimes WW1 is blamed on entangling alliances or the assassination of an archduke, but, in reality, according to this theory, Germany went to war in WW1 for the exact same reason they want to war in WW2, because they saw an opportunity to become local hegemon of Europe, and took that opportunity).If you still aren't convinced, that isn't of course the job of this review, it's the job of the book; the number of examples used in the book far exceed would I could bring up here. And the author's writing is much better than mine in any case. I'm just trying to explain why I like the book: because it gives you a different opinion of war than the usual one, and does so very convincingly, through factual argument, and explains it in a simple to understand way (you don't need to have even taken a political science course to follow along with the argument).

The Tragedy of Great Power Politics is an accessible history of great power behavior since the 18th century. John Mearsheimer is a professor at the University of Chicago. Mearsheimer believes that once countries become economically strong they seek to dominate their region militarily. They “are always searching for opportunities to gain power over their rivals, with hegemony as their final goal.” He calls this “offensive realism.” In the final chapter, he discusses the rise of China and predicts that it will attempt to dominate Asia. He believes that this will lead to conflict with the US.To prove his theory, Mearsheimer examines the behavior of five countries over the last 200 years: Japan (1868-1945), Germany (1862-1945), Soviet Union (1917-1991), Britain (1792-1945), and the U.S. (1800-1990). Japan and the Soviet Union provide strong support for the theory. Before WW2 Japan was imperialistic and invaded Korea, China, and the Soviet Union. Its attempts to become an Asian hegemon inevitably led to its clash with the U.S. Russia has always been an imperialistic power and over the centuries expanded its empire from Europe to the Pacific coast. During the Soviet era, it grabbed Eastern Europe.Germany is an example of how offensive realism can lead to disaster. After reunification in 1871, Germany started to flex its muscles and frighten its neighbors. By 1900 it had overtaken Britain to become Europe's largest economy. Russia, France, and Britain initially formed a defensive alliance, but this did not deter Germany, it just became more paranoid. Mearsheimer argues that it was inevitable that a powerful Germany would try to dominate Europe. However, historians like Margaret MacMillan believe that war could have been avoided had Bismarck still been around. Unfortunately for Germany, Japan, and the Soviet Union, they were not allowed to dominate for long. They became victims of their own ambition and this seems to be the main weakness of offensive realism as a survival strategy.Britain is not a good fit for Mearsheimer's theory. It was never interested in dominating Europe. It controlled 59% of global wealth in 1860 but it never tried to conquer Europe. Mearsheimer claims that the English Channel made invasion too difficult. However, Britain's traditional strategy was to contain potential threats by manipulating either Germany or France. This did not stop Britain aggressively grabbing territory in parts of the world where it faced little or no opposition.Mearsheimer claims that Britain was too weak to stop the U.S. taking over its Caribbean colonies in the 19th century. Apparently, the U.S. resisted the temptation to invade because the British colonies kept slaves. He does not seem aware that Britain ended slavery long before the U.S. The main reason the US did not attack was Britain's navy. For much of the 19th century, the U.S. lacked the military strength to prevent European intervention in the New World. But since European meddling threatened British as well as American interests, the Monroe Doctrine was enforced by the Royal Navy. At the end of the 19th century, America could deploy two battleships to Britain’s forty-four.Mearsheimer describes the U.S. as the "poster child for offensive realism." Mearsheimer sets out a narrative to explain how American foreign policy developed over the centuries. He argues that it first dominated the Western Hemisphere before extending its reach to Asia and Europe. The invasion of Canada in 1812 and the Monroe Doctrine were part of a plan to dominate the Americas. Once that was achieved the U.S. stopped Japan and Germany dominating Asia and Europe in the 20th century. The U.S. continued to view the British Empire as a threat and Roosevelt set about dismantling it during WW2. Once WW2 was won, the Soviet Union became America’s new adversary and it maintained forces in Europe to check Soviet expansion, but also to prevent the Europeans from fighting each other.Mearsheimer argues that the U.S. is often in denial about its behavior and Americans are taught that the U.S. is altruistic and a force for good in the world. Mearsheimer states that “idealist rhetoric provided a proper mask for the brutal policies that underpinned the tremendous growth of American power.” In 1991 the U.S. became the world's only super-power and according to Mearsheimer, its main foreign policy objective was to prevent the re-emergence of a new rival. Following the difficult wars in Afghanistan and Iraq, the U.S. is less certain of its global role. Mearsheimer claims that America's foreign policy elite is still largely made up of offensive realists, but these days they prefer to keep their views under wraps.Mearsheimer believes that the rise of China brings a new set of problems. America is facing its first serious economic competitor since it overtook Britain in the 19th century. He predicts that China will pose a threat to U.S. dominance in Asia. Mearsheimer is worried that if nationalists in China continue to pursue a policy of "Asia for the Asians" this will make future conflict inevitable.I found the book an enjoyable read but Mearsheimer has a surprisingly superficial grasp of world history. However, he does provide a helpful explanation of American foreign policy over the past 200 years. It is clear that the world will always be a dangerous place and America will continue to attract rivals trying to knock it off its pedestal.

The title of this review is the bottom line of The Tragedy of Great Power Politics by John Mearsheimer. The central point is not that hard to grasp that the structure of the international system makes conflict between great powers inevitable. But the way he goes about both setting up and giving evidence for his theory, may bend the reader in so many different directions that great power war or the fear of great power war becomes an absolute certainty.I hold a Master’s degree in Political Science and believes that while great power war may occur, it is the civil war type of conflicts and/or groups like Isis that deserve the world’s attention. Further, while I believe realism is an important paradigm in International Relations, the various liberal theories of International Relations and the newer third way theories also have a varying degree of explanatory power depending on the topic.Mearsheimer’s theory only holds the amount of currency the reader gives to the realist view of the world. For me, while it is plausible the world will end up this way, offensive realism is hard to stomach.

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The Tragedy of Great Power Politics PDF
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